If you’re interested in commissioning an illustrated biography, I am available on a limited basis. More details here.
This is one of my earliest memories of my father. Even though it didn’t happen to me personally, my mind’s eye created the scene when I first heard the story, and seeing that scar all the time growing up, engraved this anecdote into my memory.
In anticipation of Father’s Day, I’d like to hear your most memorable story of your father. Share it in the comments and I’ll choose one (or two) to illustrate.
Since January this year I’ve been listening to Chris Gillebeau’s Side Hustle School on my daily commute, walk, bike, etc. It’s a daily podcast with bite-sized stories about people who start an income-generating business while working a day job.
Their tag line is: A side hustle isn’t just nice, it’s necessary.
Chris, by the way, is the author of the The Art of Non-Conformity, and is one of the reasons I decided to leave the Philippines and try living abroad.
From a japanese candy subscription to professional snuggling, the stories are entertaining and inspiring. I try to recommend it to everyone I know who’s looking to earn more income. As an illustrator/visual artist, income can be pretty erratic. So I’ve always had to do other things, be it teaching swimming or being a courtroom sketch artist (more on that later).
Based on the the stories I’ve listened to, I’ve tried:
- Opening Getty/Shutterstock images account
- Posting portrait and personalised comic book services here and on Etsy
- Offering photography, pet-sitting, and massage services on craigslist
None of these have panned out so far. After listening about a man from Florida who made $100,000 from selling t-shirts without any inventory, I thought I’d give the teespring a try. Several times I’ve tried and failed on Threadless, which works on a voting system, which shows that I need to get better at of promoting and designing. With teespring however, there is no voting system, but you do need to meet a minimum purchase order for the shirt to be printed.
So here’s my first design:
I set the limit at 50 orders, and as of this writing, I need 3 more to be able to print.
A friend helped me come up with this one, and I promised to split the profits with her. If you have a tshirt design and want me to create it, send me a message at pinoyartista(at)gmail. The plan is to release 3 designs and see if they move.
The great thing about teespring that sets it apart from all the other tshirt platforms I’ve tried is they give you the option of donating a portion of your sales to several charities. 10% of So Very Sorry sales will go to Reach Out WorldWide which is a network of professionals with first-responder skill sets who augment local efforts during natural disasters.
The challenge is to move quickly, to quickly test different business models and determine which works best in terms of enjoyment and profit.
To date, I’ve been playing the copycat, trying to see which are immediately applicable. Although the best thing would be to come up with an idea that a) is original and b) helps people by making their lives better.
After each episode, Chris signs off with, “Remember, inspiration is good, but inspiration combined with action, is so much better.”
Are you or anyone you know into the Golden Age of comic books?
Have you ever wanted to appear in one? Now you can make this fantasy a reality.
Beginning February I will be available for personalised comic commissions. As this is a side hustle, I will only be doing up to three a month.
With personalised comics you–or the person of your choice–will star in a vintage, black and white, classic comic scene. It could be an action pin up (as pictured), a romance, or a panelled page with a storyline that you provide.
You will receive the final product printed on a3 or a4 canvas, ready for display.
Order your Personalised Comic before the 29th of February and and get 15% off!
More details here.
If you would happen to know anyone who’d be interested, do share this with them before slots run out!
It is with the appropriate amount of pleasure that I announce my first exhibition in Barcelona.
Spanning eighteen months and four countries, “What Am I Doing Here” is a retrospective of the works created over the past eighteen months since I arrived in Europe. It will include drawings, paintings, photographs, and screen and letterpress prints created in Barcelona, Amsterdam, Paris, Venice, and Las Palmas.
The exhibition will be on the 15th of April, at l’Atelier, a small but cozy bakeshop in Carrer del Joncar 29, Poble Nou, at 19.00h.
Exhibition catalog available upon request.
Tengo el placer de invitarte a mi primera exposición en Barcelona.
“¿Por Qué Estoy Aquí?” es la primera exposición individual de José Gamboa en España. Una retrospectiva que abarca dieciocho meses y cuatro países, que incluye ilustraciones, impresiones de pantalla y tipografía, pinturas y fotografías.
Con concierto musical de Guillermo Ayora
Catálogo de la exposición disponibles a petición.
La exposición tendrá una duración de un mes.
Looking forward to seeing you there / Espero verlos a todos allí,
Above is the invitation text I wrote for my exhibit which is happening next week.
Below is a preview of some of the works that will be on display:
Aside from recently completed #BowieForever series, “What Am I Doing Here” will include:
Six days away, there is still a lot that needs to be done. And unlike other exhibitions I’ve organised before, this is my first solo show–literally: I have had to everything, from booking the venue, conceptualisation, curation, funding, promotion, framing, mounting, and more.
Let’s see how it goes.
Back in December 2015, I had gotten it on (what I believed at the time to be) good authority that David Bowie was coming to Primavera Sound 2016. The prospect of seeing a creative genius of his calibre live so excited me that despite my source’s admonition not to spread the word, I could not help myself:
Getting into the whole Bowie vibe, I started learning how to play his songs on the guitar, and began researching which day he would perform in Barcelona. Even my sister who was half a world away seemed to be channeling the Thin White Duke:
Less than two weeks later, The Man Who Fell To Earth returned to the stars.
To be honest, I am not a hardcore Bowie fan, in fact, I was a new one. I didn’t realise it was his birthday or listened to Blackstar until after he had already died.
Then there was that series of highly-publicised deaths that first few days of 2016: Scott Weiland, Lemmy, Alan Rickman, Maurice White. Then Aaron Swartz and Dave Mirra.
But it was the building anticipation of seeing David Bowie live, that whole ‘you might not get another chance’ feeling, then to have it suddenly vanish, that made his death strike a chord. And to make things even more odd, here is where I spent the 1st of January (playing the guitar, to boot):
This inexplicable series of events compelled me to create what will be the #BowieForever series. The series will consist of six limited edition mono screeprints and shirts which will be released over the course of several weeks.
Each mono screenprint is numbered, printed on 300 gsm watercolour paper and signed by Jose Gamboa with a Certificate of Authenticity.
We Could Be Heroes
31 x 49 cm Mono Screenprint
Edition of 7
29.7 x 42 cm Mono Screenprint
Edition of 7
29.7 x 42 cm Mono Screenprint
Edition of 7
#BowieForever Ultralimited Edition Tees
Available sizes are M and L and XL (depending on availability) and printed on 100% cotton tees. Each tee is signed by Jose Gamboa. Edition of Fifteen.
As I created each design (while listening to the mournfully brilliant Blackstar) I could not help but contemplate the power and influence and creativity that could come from just one man, a man who will live forever through his work.
It has only been a few weeks since his spirit rose and stepped aside, and for now, it will be difficult to imagine anyone replacing David Bowie.
One more thing: Before I left the Philippines for Barcelona over a year ago, I saw The Secret Life of Walter Mitty. Although inspiring, the film was too cheesy and unrealistic for my taste (How can Walter Mitty’s phone never run out of battery? And downhill long boarding is no easy thing). Nonetheless, it was a good film. Anyway, I didn’t realise or remember (until recently) that David Bowie’s Space Oddity featured largely in that film, and I wanted to share Kristen Wiig’s more than decent rendition of it:
Have you ever fallen in love with a place?
Like falling in love with another person, it is intoxicating, you want to breath them in, you can’t bear to be apart, and then you can’t help but start to imagine what it would be like to live together, to plant roots and grow old together.
That can be part of the reason why travel is so gratifying. Each time you step foot in a place you’ve never been before, the possibility is there.
But there is a distinction between Love and its often-confused doppelgänger, Infatuation.
Infatuation is a volcanic eruption: loud, intense, all-consuming. It can feel like the real thing, and sometimes, it could be.
Love, on the other hand, is a garden. It takes time, a lot of effort, quiet, and without fanfare, it blooms, and an entire field that once had nothing but dirt, is filled with life and beauty.
During some of my travels, certain places have aroused this feeling in me; places that have taken my breath away, places that feel like home.
My earliest memory of such a place would probably be Baguio, a city in the mountains in the north of the Philippines. I had spent almost every summer there as a child, and bathed in its cool air that smelt of pine. I rode horses, learned to bike and roller-skate (had quite a few injuries), and met a lot of interesting people. Unfortunately, rampant and uncontrolled development has destroyed the Baguio I once knew, and living there no longer appeals to me as it once did.
Another place I felt at home in was in Basco, Batanes, the northernmost island of the Philippines.
Closer to Taiwan than the rest of the Philippines, Batanes looks completely different from the rest of the archipelago.
Then there is Baler, Aurora, a city on the Pacific coast, six hours from Manila. Over the course of well over thirty trips, I grew to love surfing, the people, and the place.
When I went to Bali, Indonesia in 2013, the perfect waves, friendly people, and cheap yet delicious food made me feel that I needed to–if not relocate–return here at least once a year.
And then in January 2015 I experienced La Palma.
All the places that have captured my heart have similar characteristics in that they have a lot of nature, are close to the ocean, the people living there are warm and hospitable, and economically are quite undeveloped, and certainly none are likely to be listed in the GOOD cities index anytime soon.
It could have something to do with my having grown up in notoriously congested and polluted Manila.
Like Thoreau, I longed to escape the concrete jungle, and time and again, had considered packing up and living on some seaside town where the pace was easy, and life was as it should be: Enjoyed everyday.
But La Palma was on a whole another level. Its natural beauty was stunning, with its sunsets, mountains, flora, seaside, and climate being optimal for human existence.
The entire island is a UNESCO biosphere reserve.
Compared to Barcelona, the Spanish people I met here were so relaxed, friendly, and their features were likewise very different. Also, I was surprised at how many Germans were on the island. Hiking, apparently, is something Germans (and other Scandinavians) are totally crazy about. I met that rare breed–retired hippie Germans–who have made la Isla Bonita their home.
Even if hiking isn’t your thing–although if you are walking through trails like these–how could you not be, La Palma offers so many opportunities for cyclists, climbers, downhill bikers and long boarders, para and hang gliders, sailors, surfers, and so on.
The island was formed and reformed by volcanic activity, and the most recent eruption was less forty years ago, and its raw beauty made me imagine that this is what the earth must have looked like when it was very young.
Although Hawaii has much better waves, I was pleasantly surprised to see beautiful right handers and A-frames at Los Guirres, one of the surf breaks on La Palma and the one of the stops for the Gran Canaria surf circuit.
Unfortunately, I wasn’t able to paddle out because I didn’t have any gear and wasn’t able to find the board and wetsuit rental. Instead, I was able to watch a bit of the surf, bodyboard and drop knee competition that just happened to take place that weekend.
At the competition I saw the most number of people I had ever seen in one place on the island. La Palma doesn’t have its own university and its industry mainly revolves around bananas and salt, which are its main exports. As a result, young people leave to study and find work, leaving an ageing population and not much economic activity.
But this is what draws me to this place even more. Bali and Baler have started to become crowded as tourism has developed the area. In La Palma, with a population of less than 18,000, you can go to many places and not encounter another human being.
Before I came, I considered hiking to be a boring past time, devoid of any thrill or challenge. I’ve gone mountain climbing, cross-country skiing, and caving, and all the hikes I’ve been on had been unenjoyable. But La Palma showed me that I had not experienced extreme hiking. Every year, hikers die and sometimes disappear in these mountains. Towards the end of my stay we went on hikes that lasted for five hours, that rose and descended a thousand meters, and where nothing, not even the wind, could be heard.
Of course, it could simply be the people that have drawn me to this place. As I wrote in Terminal Illness, I went to La Palma to visit my aunt whom I had not seen in over twenty five years. She and my cousin made my stay absolutely wonderful, especially since it was such an ordeal to get there, and I will forever be grateful for their hospitality. My aunt rises up with the sun, which peeks over the mountain at around 9, she makes an impressive cup of tea, then goes to work in the garden. She has a macadamia tree. She and her husband are still gradually moving books and things over from Germany, and the house still needs constant work. Occasionally, she visits with other residents of the island (her neighbour, another German, spends seven days a week tending to his garden–which is beautiful) or drives into town to do shopping.
My aunt had only moved to La Palma less than two years ago, before this she had devoted her life to running a bookshop which she owned for fifteen years, then sold when on their third trip to the island, her husband said, ‘Sell the bookshop, let’s get a place here.’ Just like that.
It sounds so simple, although of course, it never is. But at its core, life and love are simple.
It is for all these reasons that La Palma has captured my heart.
So we shall meet again someday, La Isla Bonita.
During these seven days, the island also captured my imagination:
If you would like to read more about everyday life on La Isla Bonita, here is the most popular blog on La Palma (in German).
Continued from Part One
In terms of experience level, I would classify myself as a class 3 traveler (5 being the highest). I’ve been to three continents (Asia, Europe, Australia), have flown on flights lasting 22 hours, have traveled extensively around the Philippines, and when I have the means, I try to visit at least one new country every year. Despite having been granted a ten-year US visa thrice, but I have never taken advantage of it, and have never traveled above Economy class.
So I wouldn’t consider myself inexperienced when it comes to air travel. As a class 3 traveler I have had my share of mishaps. Compounded with my penchant for disregarding rules and regulations, I have had quite a few ‘incidents’ in airports.
But in this particular case, it could have just been sheer bad luck.
As I mentioned in Part One, I was bound for a flight to La Palma from Barcelona at 0900. After some setbacks, I had made it to the airport at around 0800, and was headed for the security check.
Like any experienced air traveler, I had checked in online prior to my flight, but–and here’s where the inner misfit in me reared its all too familiar head–didn’t print a boarding pass. Besides the fact that I didn’t have a printer, I figured, Hey, this is Barcelona, a developed country, not the Philippines, and nobody brings a printed boarding pass in the age of online check-ins and QR codes. For good measure, I sent the boarding pass to my cellphone and had the confirmation email of my online booking on my tablet.
While queuing up for the security check, there was a scanner for the boarding pass. I showed the airport personnel the ‘boarding pass’ link I’d received by SMS, but then I realised I needed the bar code for the machine. Now here’s my phone:
Cursing under my breath, I spent around 10 minutes trying to pull up the boarding pass on my iPad using the 30-minute free airport wifi. For some reason the site and link wouldn’t work so I gave up and went to the Vueling check-in counter (another five or so minutes in the queue) where I was told by the desk agent that I needed to try the last-minute check-in desk (had I known such a desk existed I would have gone there immediately) at the end of the bank of counters.
Now I was starting to panic. My heart racing, I dashed to the last-minute desk. There a lady was calling the name of some tardy passenger, indicating that I had to wait. When she could attend to me, I told her my flight details. “You are too late,” she declared matter-of-factly. I could only imagine the expression on my face. “The gates close in three minutes,” she stated flatly, and despite my begging and assuring her of my running speed, she said it was impossible for me to make it. Perhaps if I had come ten minutes ago (while I was copying the boarding pass link from my phone to the browser on my iPad), it would still have been possible, but since this was not the case she suggested I check the Vueling ticketing office for a flight change.
With a terrible knot in my stomach, I sprinted to the Vueling ticketing desk (which of course had to be all the way at the end of the hall) where I pleaded with them to help me. The first person I spoke to simply looked at his computer and said the worst words I have ever heard.
Besides ‘You’re going to live. Kinda,’ ‘I’m sorry, but your application has been denied,’ and ‘It’s not working,’ this is the worst sentence one could ever hear:
‘Your plane has already left.’
That’s when the sheer hopelessness of my situation struck me.
Until that point in my life, I had never heard such a sound escape from my lips. The groan of despair was punctuated by the thud of my forehead as I leaned it against the cold glass of the window of the ticketing office. I felt utterly horrible. I had been looking forward to this trip for the past weeks, the ticket had already been paid for of course, and my aunt Susan, whom I hadn’t seen in over twenty-five years, was expecting me.
Disheartened, I tried to call her to tell her the bad news. The call wouldn’t go through so I sent her a message asking her to call me, and that it was an emergency.
I went back to the Vueling ticketing office, deciding to ask another ticketing agent who might possibly be more resourceful. I spoke to a Jordi who said that there were no more flights for the rest of the week to La Palma, but that there was the option of taking a flight to Tenerife instead, then taking a connecting flight or a ferry to La Palma. The change would cost an additional €129, and I had to make the booking by 1005 and he couldn’t tell me how much the connection or ferry would cost.
That was it. Game over. No way was I going to spend that amount over the original flight. I crumpled to the floor in the corner of the terminal and sent out an email to Anja apologizing for fucking up so badly, and tried to breath.
That was that, I thought. I had just wasted a plane ticket–something I’ve never done before–and I was preparing myself to go back to my flat where I would proceed to lock myself up in my room for the rest of the week.
Then my phone rang. It was tita Susan. It was the first time in twenty five years that either one of us had heard each other’s voice. On the verge of breaking down, I explained what had just happened. Calmly, she said she would talk to Anja. A few minutes later, Anja called and I explained that there is an option to go to La Palma through Tenerife, and I heard her mother say that this was quite simple. But I didn’t think I’d have enough money to buy another ticket from Tenerife to La Palma, I said. She told me not to worry about this, that they would book the flight for me.
So I went back to Jordi and bought the 1200 flight to Tenerife arriving at 1420. Anja texted me that I was booked on a Canary Air flight at 1535, I just had to pick up my ticket at their desk, and that Tenerife was a small airport so there was a lot of time to make the connection.
Exhausted but bolstered by the fact that they had not given up on me, I was on my way to Tenerife two hours later.
The fat lady was still not singing though. When we landed two hours later, I checked the time and my heart stopped for the second time that day.
But Anja said it was a small airport, so maybe fifteen minutes was enough time to pick up my ticket, check in, and go through security. I was the first out the door of the plane and into the terminal. Unable to find the Canary Air desk, I asked the airport security with Guardia Civil emblazoned on his uniform. He indicated how to get to the desk, but I still couldn’t find it. It was ten minutes to departure, and I couldn’t believe I could be so stupid as to miss two flights in a single day.
Careening around in a panic–there were no escalators–I wound up back where I started, to the puzzlement of the Guardia Civil. Finally he understood what I was looking for. I explained that it was an emergency, that my flight was leaving in less than ten minutes. “Don’t worry, we are one hour behind Barcelona,” he said (I paraphrase). My heart started to beat normally once again. Mind you, throughout this entire ordeal–which had so far lasted several hours–I was communicating in nothing but Spanish. He led me to through security barriers and I found the Canary Air ticketing desk tucked away in a corner behind a pillar where they were sure to be difficult to find.
The lady confirmed my booking, then handed me a bill to pay for €59. Confused, I said that this was already paid for. She checked her computer and shook her head. After paying for the flight to Tenerife, I had €71 in my wallet, which thankfully covered the fare. So I approached the check-in desk with my boarding pass and €12 to my name. The airport officer then said that they have two bookings under my name. She cancelled one and told me to return to the Canary Air office to get a refund.
At 1535 I was back up in the air, flying over the blue waters in a plane that was probably as old as I was. I noticed that with all my running that day, my left shoe’s sole had started to come off. These were hand-me-down hiking boots, and before leaving Barcelona, I had just had the right sole repaired. Looking around at the old plane, I thought, “Please let this be the last thing to go wrong today.”
And it was. At 1610 I walked through the arrivals gate of La Palma airport, hugged my aunt and cousin, got into the car, and drove through the most beautiful island I had ever seen.
A few days later, I received an email with the subject, ‘Did you like your Vueling experience?’ (translated). In this case, silence was the best response.
Did I learn anything from this ordeal? Two things: First, always print your boarding pass. Second, be thrifty in all things, except when it comes to air travel. This should likewise apply to medical care, but that’s a story for another day.
People who study abroad are assumed to have been born with the proverbial silver spoon in their mouths.
If you go abroad to study art, the silver spoon is assumed to be up your ass.
This assumption is made because studying abroad–especially if you are coming from a developing country–is extremely expensive. So costly in fact, that even citizens from developed countries wishing to pursue higher education would need to borrow money to do so.
In my case, I have never studied art in a school. The only time I ever studied abroad before now was when I was an exchange student in Norway where I won a scholarship under the Youth For Understanding Exchange Program, and was hosted by host families.
Now that I have the luxury of going back to school to take a Masters in Arts and Cultural Management in Barcelona, Spain, it is not difficult to assume that I am one of the idle rich.
It is true that I am quite fortunate to have this opportunity, and that far from starving, I have, until around a year ago, lived rent-free in my father’s home. Living at home until one is well into one’s 30’s (I know some who are in their 40’s) is a fairly common practice in Philippine society–one that I have repeatedly tried to break away from at various points in my life.
But in fact, this schooling is funded entirely through savings that I have accumulated over the years. A significant portion of this is from commissioned art works as well as sale of stock investments. I have long wanted to study animation or art, but the schools I want to go to (the School of Visual Arts or the Vancouver Film School, where I had gained an acceptance) were beyond what I could afford.
The one-year graduate program at the International University of Catalonia on the other hand, was. But just. I have enough to cover the tuition fee, one-way ticket, and visa fees. For the living expenses however, I have enough only for a portion of my study period. Therefore, paid work is of the essence.
For more of a challenge, Spain is currently undergoing a recession. And in an economic downturn, the first to get cut from the budget are culture and the arts. And Barcelona has no shortage of creative, talented folks. You just have to go to any public space or subway, where you will be blown away by the level of talent on display. But there is a reason that the stereotype of the Starving Artist came to be–and persists to this day: Artists, more often than not, do not make money from their art. In fact, the joke is that whenever anyone responds “I am an artist” to the question “So what do you do?”, the follow up is, “And what is your day job?”
So for the past three months, I had to figure out a way to earn some money.
Use the Internet
The Internet is your friend. Use wordpress, twitter, facebook, instagram, and behance, etc, as freely-available platforms to showcase your work.
Specific to Barcelona are sites like Loquo, Craigslist, where you can see job postings and advertise your services as well, and, if you are able to teach any thing, TusClasesParticulares, which is where the above ad is from. I posted my services as an art and english teacher for kids. So far no takers.
I’ve sought work in another country through freelance sites like oDesk, at the recommendation of friends who’ve been able to earn consistently.
Show Your Work
Artists sometimes have problems blowing their own horn, as in my case. But in order to get people interested, you cannot simply describe your work, you have to show them.
In the above photo, I happened to come across a nice little bookshop which had artwork on display. Upon making some tentative inquiries with the owner (who didn’t speak any English), I learned that they have art exhibitions every month. When I showed her some of my work, she said she would be open to my doing an exhibit in her bookshop sometime next year. We’ll see how that goes. Other great venues to offer to display your work are pubs, restaurants, and offices. It goes without saying that the venue gets a commission if some of your work is sold, but it’s good to get an agreement on paper in this case.
Meet the latest addition to the Spanish Apartment:
Meet Gerson, a theatre graduate from Baranquilla, Colombia (the hometown of the magnificent Sofia Vergara and Shakira). He won a Young Talents Fellowship under ICETEX to take a diploma in Arts & Cultural Management at the International University of Catalonia. He has acted on the stage and on television, and plans to one day have his own TV show.
As a member of Fundación Doctora Clown (Clown Doctors), he dispenses the medicine of laughter to sick children in the hospital.
Unlike the rest of us who are doing the Masters Program, Gerson is taking the non-degree track of the program. He opted to take the course in English in order to improve his communication skills, instead of choosing the Spanish track. He really wanted to study drama or something related to performance art, he said, but he couldn’t find any courses within the fellowship’s budget in Spain. So now he is studying the legal aspects and tools of cultural management instead of acting or dance. It is twice the challenge for him.
So now we are five (at least until April, which is when Gerson finishes his studies).
He is a welcome addition to the flat first because now our individual rent payments go down. It is also good to have another Spanish speaker in the flat aside from Awat, so that we non-Spanish speakers have more opportunities to practice and learn Castellan, something I have not been doing as much as I should. Thirdly (pun intended), it is great to have another person from a developing country with whom I can share common experiences and traditions.
Moreover, another male in the flat is better than being the only thorn among the roses. Being surrounded by females both at school and at home–pleasant though it may seem–can get quite exhausting. Having relatives and friends who are gay, I’m accustomed to interacting with homosexuals, although it is the first time that I will be living with one. Most importantly, however, is that Gerson is a welcome addition to our home because he is a good person with a pleasant sense of humour.
It does not come without its drawbacks of course. Having more people in the flat means less space and as I’ve written about previously, getting along with three people is challenging enough for me as it is.
Only time will tell.